Slowly I’m working toward my goal. This is difficult this year with film projects moving and finishing up my book. I also have other writing to do and lots of reading. Of course there are other secret projects in the works. I hope you understand. When you are a one man shop a lot falls on your shoulders until funding is in place and a team can be constructed.

A lot of what I’m researching now is the impact of cell phones (texting), Facebook, twitter et. al.  (and company for the non latin speakers.  There is so little work done in this area but the need to understand the impact is great. Also propaganda is exploding in this country at a rate I never believed I see. Fact check EVERYTHING. I will continue to cover the art of propaganda.

I had a caught ask me how the Nazi’s controlled the German people. Good question. I explained there was a minister of propaganda to start with. Follow that with Gestapo enforcement, a level of fear was maintained. Kids enrolled in the Hitler Youth Movement and indoctrination was in place. Eugenics was unpopular so Hitler moved the clinic out into the country and they became the basis for the death camp. Seems Jews and some Gypsies and Catholics among others comprised the people Hitler felt were inferior. The scary part is Eugenics was born here in the USA and practiced for a limited time. Hitler made sure the US program would never get off the ground. Thanks God.

Here I go off topic. This photo is of an abandoned farm-house I stopped at on one of my many country drives. I shot these two years ago and I’m just now working with the images. More to come.

Related articles

• The Coming of Nazism. (irishmediaman.wordpress.com)

Here is my statement:

“The main force that drives my photography is my desire to see things as they truly are and not through the metaphor of language.  I feel language takes away our ability to see the uniqueness of the people and things that surround us every day.

I subscribe to Jacques Lacan’s notion of the Real.  Lacan argues inThe Four Fundamental Concepts of Psychoanalysis that we must usethe Symbolic and the Imaginary to connect to the world around us and the primary tool is linguistics.  The Real is not the same thing as reality because our reality is composed of both the Imaginary and the Symbolic.  The Real is opposed to the Imaginary and stands outside the Symbolic.  In Lacan’s book, The Seminar of Jacques Lacan: Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis 1954–1955 (W. W. Norton & Company, 1991) Lacan makes it clear that “there is no absence in the Real.”  To see the Real is to experience a thing for the first time.

Click to view slideshow.To me this says what constitutes the Real is something observed in total.  No filters blocking the view or imaginary ideas polluting the observation.  In Lacan’s Seminar XI he defines the Real as “the impossible because it is impossible to imagine, impossible to integrate into the Symbolic, and impossible to obtain.”

I strongly feel it is the job of the artist to reach past the obstacles and capture an image as close to the state of the Real as we can.  We bring it back and by showing it to others we give people the opportunity to encounter the Real even though it is shown through the interpretation of the artist.”

Trilobite

I have started my 100 photos in 365 website. It is HERE. Please visit often. This image is TRILOBITE.

Ghost

I usually don’t talk about the “how” I get this writing done and I find a lot of people don’t want to know. It spooks them out. They ought to be me for a day. Screen plays are methodical. Novels are organic. I’m really hooked. It’s a lot harder to write prose but it takes you to such fun places it is well worth the ride.

Research for this book:

The Soul After Death by Fr. Seraphim Rose
Solomonic Archangels and Demon Prince by Stephen Skinner & David Rankine
Grimoires by Owen Davies
The Kabbalah Peach Hagaddah by The Rv Berg Sheltie
The Holy Bible by God
Magik of the Ancient Gods by Ford
Biblical Fragments from Mt. Sinai by J. Rendel Harris.

And many more. I will list all books, websites etc when I get finished up. It’s so funny, people think you just sit down and make things up but beyond these books I’ve used all kinds of maps and references for local areas. It never seems to end.

Personally I find this part to be really fun. I’m curious and love to learn.

I ask for a bit more indulgence. Those who have offered to read the initial draft, it is very close. I do know how this part ends but there is a lot of pieces I forgot along the way and I keep plugging then in.

I could still use a few more readers. You will get a rough copy of the bock bound, signed and numbered by me. Read it and MARK IT UP. No grammar or spelling corrections just content. Once I have all remarks coded I will return to you for your enjoyment.

Being a filmmaker I love being trashed so I can think more clearly. No ego here.

Then a first official revision will be made and used with a book proposal so I can find a publisher. I’d love to do a special edition through someone like http://www.subterraneanpress.com/ if possible then located a larger publisher for a wider distribution.

I’ve done all this with films and have been release by, LIONSGATE, Imagination, The Lifetime Channel and on and on. So I’m not arrogant just motivated.

Any help (advice) would be great. Have a great Labor Day.

I have to say there was a time I believed this was the route to go if one really wanted to learn about the art but as I’ve thought more about what photography is as either a journalistic medium or artistic medium I feel less and less that using film and a wet darkroom has much value at all unless it is artistically justified.

I’ve been shooting pictures for over 40 years so I have shot a lot (and I mean a lot) of film and spent 100s of hours in a darkroom. I still have a wet darkroom but only use it for things like Palladium printing.

Why is film necessary to learn the nuts and bolts? I use manual on my digital camera all the time setting the f-stop or shutter speed. I think depth of field and focus are not film related. Negatives use to be made on glass or prints made directly on tin.

Film photography is expensive with the rise in silver prices and the chemicals are toxic presenting a safety hazard and a pollution problem. Learning “How to See” is not a product of the medium being used it is a product of the mind. Brain wiring is made stronger by repetition. Practice. Shooting a 100 photos will advance you better in the art than 24 shots at a time.

Now don’t get me wrong. I love film cameras. They themselves are works of art but is its use necessary to learning the art? I think not.  Art isn’t about cameras or paints or film or paper. Art is about seeing what is real and interpreting that for others to see. When the camera clicks you are trying to create a statement that may or may not be directly in front of you.

Take for instance this tree photo. When I took the photo I really didn’t “see” what I was shooting. I never used it so it sat on a hard drive for a few years until one day the art exposed itself to me. That’s one reason I say, “Never delete a single image, it just may take awhile to process.”

A few weeks ago as I was working on a piece of writing this tree opened up to me. Now I see what is real so I can show it to you. Maybe it’s time to think about new ways to teach this art. You think? I mean, I’m just saying…